Has Mankind Really Made Progress? A Critical Analysis of the Characterization,Theme, and Imagery of "The Pedestrian"

更多类似内容

Steinbeck

由sienna beal

CONTENUTI MULTIMEDIALI

由Virginia Ruggeri

María Concepción Pomar Rosselló: Semantic Field of Fairy Tales

由María Concepción Pomar Rosselló

Navis Solutions and Services Mind Map

由Mario Zapata

Has Mankind Really Made Progress? A Critical Analysis of the Characterization,Theme, and Imagery of "The Pedestrian"

Characters

Mr. Mead

close to nature

"shadow of a hawk" = wild and free-spirited bird

Man is most human when surrounded by the elements.

close to the heart of humanity; true representative of humanity.

warm light; symbolic of soul

Main idea

"If mankind advances to the point where society loses its humanity, then mankind may as well cease to exist."

Through the characterization and imagery of "The Pedestrian," Bradbury has given a warning of what life might lie ahead if mankind relinquishes its humanity to progress. It would be a great loss to watch children grow into hard, cold "police cars" rather than warm, human "Mr. Meads."

Bradbury's world without humanity has virtually ceased to exist.

Additional Symbolisms

Mr. Mead chooses to walk in a "westerly direction," the direction in which the sun sets, it also signifies the coming of death

Setting: November, near the onset of winter, signifying the coming of death.

Police car= artificial light, progress in humanity; "representative of several modern inventions, thereby embodying mankind's advancement. It is itself a robot, and it speaks in a "phonograph voice" through a "radio throat""

"[n]o profession," it is denying the existence of humanity

Progress sees no need for humanity; therefore, the car makes no real effort to relate to Mr. Mead. It just locks him away in the "black jail" of its back seat and takes him away

"nothing soft"= unfeeling progress